Balai Kartini stands as one of Jakarta’s cultural landmarks, envisioned as a place of togetherness and the spirit of Kartini, symbolizing enlightenment and progress. Inaugurated in 1980 by Ibu Tien Soeharto, Balai Kartini was established under Yayasan Kartika Eka Paksi (TNI AD).
It underwent its first renovation through the initiative of Ibu Nora Tristiana, before the building later closed during COVID. After the pandemic, the renewal started under Ibu Uli Pandjaitan and redesigned by RAW Architecture.
The design explored the use of bioclimatic design, reducing thermal intake by replacing the old façade with fins inspired by Borobudur’s stupa forms. These elements reduce heat on the west side and define three new canopies at the main entrance.
The design consists of a renewed space for gathering and community with a woven tapestry of our archipelago, spreading from east to west with a concept of Adiwastra — from the Sanskrit words “Adi” meaning superb and “Wastra” meaning cloth.
The details captures all layers from mountains, to rivers, trees, boats, and human. The Wastra is transformed into display of weaving, batik, patterns across Indonesia from local masters. The essence reflects to our conversation with Asmoro Damais, a prominent role in UNESCO’s recognition towards batik.
Panels in the lobby, textile chandeliers inspired by Nias, printed fabrics in the corridors, and details referencing cap, stupa, and textured stucco, highlights the poetic expression of Indonesia’s cultural continuity.
Proportions and materials are preserved where possible, while new insertions act as bridges between eras. Natural light filters through the atriums, becoming the new medium of celebration, and gardens reintroduce softness and care.
Balai Kartini continues its founding spirit as more than a building. Through this renewal, the entire team of designers, engineers, and project managers is honored to carry its story forward, reflecting Jakarta’s present and its hope for the future.
Photographs :
1, 2, 6, 8, 16, 20 @aryophramudhito
4, 10, 12, 14, 15, 17 – 19 @luil_mn
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